AKEMI TAKEYA

Works

2019. ZZremix (New Creation)
“Structured in a geometric cycle of past, present and future with fifteen motifs”
This piece is a reconstruction work of the successful solo performance “ZZ” premired at “dietheater Wien” in 2003. The new performance version of this resumption (remix) is planned to realize in cooperation with the ImPulsTanz Festival in summer 2019. This re-creation promises something new for the audience.

2018.Tapped/Untapped
“ Dance, Music & The Art of Choreography – A re(mix) of the history of western and eastern art and sounds “
Takeya once again draws on her passion for both precisely composed as well as wildly imaginative scores, thereby creating new images of body and sound – a kaleidoscopic range of expressions. She does “tap” the Shamisen (a traditional Japanese instrument), play the piano and sing a song as a voice & body act.

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2015-17. LEMONISM – Museum & theater version
“A rhizomatic performance series with performance & installation”

2015. Little Stories about S.O.S.: Signs Of Solidarity – Group version, performed by 4 performers
“Interpretation of Performance Recipe Book – Group Version“

2014. Little Stories about S.O.S.: Survival Of Solo – Solo version, performed by Akemi Takeya
“Interpretaion of Performance Recipe Book – Solo version”

2014. Little Stories about S.O.S.: Performance Recipe Book Book On Sale!
“Publication for Solo version and Group version”

2013. (anti)*Clockwise – Performed by Akemi Takeya with 2 female performers
“Expantion of Takeya’s succesful solo work, Feeler into a female ménage à trois“

2011. Feeler – Video Installation in collaboration with Road Izumiyama
“Filmed in Miyagi, Japan 2011”

2010. L.S. Project – L.S. Performance / L.S. Movie / L.S. Installation / L.S.Music
” A unique aproach with development of the Lemon Synthesizer sound “

2009. Suspended
– Performed by 5 perfomers in a triangle construction
“Performance Lab – Performance / Exhibition / Installation”

2008-09. Red Point – Consisting of 3 parts: s.e.e.d. / s.h.o.o.t / b.l.o.o.m.
“ A metaphor of “life” in constant transformation through visuals and sound ”

2007-08. 31shots – Collaboration with Anna MacRae and a male guest performer
“The play does not expound but it runs off – and on”

2006. Feeler – Solo performance with the feedback sound
“The canon of movements refers to ‘insectoid’ and ‘technoid’ association chains”

 

2006. So what! – One woman show with rechenzentrum (sound & video)
“Takeya’s stories are partially generated live, exhibited, and reworked & recycled”

2005. Ce_l – Voice & Performance with Ulf Langheinrich (audiovisual environment)
“She is very close, yet apart, isolated in ‘her’ space, very ‘en’closed indeed”

2005. Weathering Part 2 – Performance with Ulf Langheinrich (audiovisual environment)
“A compelling study of elementary human movement: standing, walking, lying down, sitting”

2004. Weathering Part1 – 7 hours body exhibition & performance with Ulf Langheinrich
“ Performance in 6 parts with an audiovisual environment”

2003. ZZ – Collaboration with Ong Ken Seng (artistic supervisor)
“Structured in a geometric cycle of past, present and future with fifteen motifs”

2002-03. AJ Project – the Austria X Japan Dance & Performance Exchange Programme
“Realization in Yokohama (2002), Vienna, Budapest and Prague (2003)”

2002. Shadow Pieces – Short pieces, solo & duo with Miguel Angel Gasper
Winter Night Fever / Oyoyo No Yo / X8 / Toyosaburo’s Fragment / DaDaDone (Duo)
“Focused on the theme of solitude”

2002. Double space – Collaboration with Noid (cello & electronic)
“Structured in 2 sessions – 1. Metamo.Breath and 2. Ringing Body”

2001-02. Multiple space – Collaboration with the sound artists, Christian Fennesz and Testuo Furudate
“In the course of five acts, both componnts, voice and body overlap and interweave ”

2001. Black Honey Drops – Dance solo with Ko Murobushi (artistic supervisor)
“Performance prompted by a deep-reaching Eros“

2000. Yuragi – Dance & music performance in a form of jam session
“Swinging between the style in collaboration with three musicians”

1999. Drowning Fish – Dance solo with Austrian Dance Production Prize 1999
“A metaphorical work, a diary of thoughts and incidents”

1998. Bodypoems_REFLECTION – 7 short stories
Semidream / How To Cure A Runny Nose / Clock / Bessie’s Neidung / Modern Ball Dance / Autumn Sales Assistant / Moon Moss Blossom
“In an unusual mixture of Asian and Western styles”

1997. Imeka – The first solo dance project in Europa
“Objective self-observation in tracking myself through a labyrinth of different characters”

1994-96. Modell5 – Project by Granular Synthesis & performance by Akemi Takeya
“4channel video and 8channel audio composition, displayed on four portrait-format screen, with a quadro-audio set up”